Cultural Farming Bibliography
COLOR CODE:
Communication, Culture, Media
Methodology and Method
Television, News, Journalism
Ethnography, Documentary
Theatre, Film, Architecture, Art
Perception and Practice
A
Adorno, Theodor. (1951). Minima Moralia: Reflections from a damaged life. London: Verso.
Adorno, T. & Horkheimer, M. (1993). Dialectic of enlightenment. New York: Continuum.
Adorno, Theodor. (1994). The stars are down. London: Routledge.
Adorno, et al. (2007). Adorno, Benjamin, Block, Brecht, Lukacs. London: Verso
Agnew, Spiro. (2007). Television News Coverage: Online Speech Bank.
Ailes, Roger. (1988). You are the message: Getting what you want by being who you are. New York: Doubleday / Currency
Albers, Josef. (1963). Interaction of color. New Haven: Yale University Press.
Albrecht, & Lupton, & Holt. (2000). Design culture now: National design triennial. Princeton: Architectural Press.
Alexander, Bryant K. (2005). Performing ethnography: The reenacting and inciting of culture. In N. Denzin, & Y. Lincoln (Eds.), The SAGE Handbook of Qualitative Research (pp.411-441). New York: Sage.
Allen, R, & Turvey, M. (eds.). (2003). Camera obscura, camera lucida: Essays in honor of Annette Michelson. Amsterdam: Amsterdam University Press.
Anderson, Bonnie M. (2004). News flash: Journalism, infotainment, and the bottom-line business of broadcast news. Hoboken, NJ: Jossey-Bass.
Anderson, M., & Halpin, M. (Eds.). (2000). Potlatch at Gitsegukla: William Beynon’s 1945 field notes. Vancouver: UBC Press.
Anheier, H., & Isar, Y. R. (Eds.). (2008). The culture economy. Cultures and globalization series 2. London: Sage.
Antoine-Dunn, J., & Quigley, P. (Eds.). (2004). The montage principle: Eisenstein in new cultural and critical contexts. Amsterdam: Rodopi.
Appadurai, Arjun. (2001). Globalization. Durham, NC: Duke University Press.
Arendt, Hannah. (Ed.). (1968). Walter Benjamin: Illuminations (1st ed.). New York: Harcourt Brace & World.
Arendt, Hanna. (1969). On Violence. Orlando: Harcourt Books.
Arnheim, Rudolf. (1966). Image and Thought. In G. Kepes (Ed.), Sign Image Symbol (pp. 62-77). New York: George Braziller.
Arnheim, Rudolf. (1969). Visual thinking. Berkeley: University of California Press.
Arnheim, Rudolf. (1977). The dynamics of architectural form. Berkeley: University of California Press.
Artaud, Antonin. (1958). Theatre and its double. New York: Grove Press.
Askew, K., & Wilk, R. (Eds.). (2002). The anthropology of media: A reader. Malden, MA: Blackwell Publishing.
Auletta, Ken. (2003). Backstory: Inside the business of news. New York: Penguin Press.
Aumont, Jaques. (1987). Montage Eisenstein. Bloomington: Indiana University Press.
Austin, J.L.. (1965). How to do things with words. Cambridge, AM: Harvard University Press.
B
Banks, M. & Morphy, H. (1997). Rethinking Visual Anthropology, New Haven: Yale University Press.
Barbash, I. & Taylor, L. (1997). Cross-cultural filmaking: A handbook for making documentary and ethnographic films and videos. Berkeley: University of California Press.
Barnard, Malcolm. (2001). Approaches to understanding visual culture. New York: Palgrave.
Barnard, Malcolm. (2005). Graphic design as communication. London: Routledge
Barnhurst, K. and Nerone, J. (2000). The form of news: A history. New York: Guilford Press.
Barnouw, Eric. (1970). A history of broadcasting in the United States. New York: Oxford University Press.
Barnouw, Erik. (1993). Documentary: A history of non-fiction film. New York: Oxford University Press.
Barry, Ann Marie Seward. (1997). Visual intelligence: Perception, image, and manipulation in visual communication. SUNY Press.
Barthes, Rolland. (1980). Camera Lucida: Reflections on photography. New York: Hill and Wang.
Barthes, Rolland. (2004). The language of fashion: Reflections on photography. Oxford: Berg.
Bartschere, T., & Cover, R. (Eds.). (2011). Switching codes: Thinking through digital technology in the humanities and the arts. Chicago: University of Chicago Press.
Bataille, Georges. (1985). Visions of excess: Selected writings. Minneapolis, University of Minneapolis.
Bataille, Georges. (1991). The Acursed Share, Vol. 1. New York, Zone Books.
Bataille, Georges. (1994). On Nietzche. St. Paul, MN, Paragon House.
Baudrillard, Jean. (1983). Simulations. New York: Semiotext(e).
Baudrillard, Jean. (1987). The ecstasy of communication. New York: Semiotext(e).
Baudrillard, Jean. (1994). Simulacra and simulation. Ann Arbor: University of Michigan Press.
Baudrillard, Jean. (2001). Seduction. Montreal: New World Press.
Baudrillard, Jean. (2007). The intelligence of evil or the lucidity pact. Oxford: Berg.
Baudrillard, J. & Guillaume, M. (2008). Radical alterity. Los Angeles: Semiotext(e).
Baudrillard, Jean. (2010). Carnival and cannibal. London: Seagull Books.
Bauman, Zygmunt. (2001). Consuming Life. Cambridge, UK: Polity
Bay, Howard. (1974). Stage design. New York: Drama Book Specialists.
Beasley-Murray, Tim. (2007). Mikhail Bakhtin and Walter Benjamin: Experience and form. New York, Palgrave Macmillan
Becker, H.S., & McCall, M.M. (Eds.). (1990). Symbolic interaction and cultural studies. Chicago: University of Chicago Press.
Bechman, K., & Weissberg, L. (Eds.). (2013). On writing with photography. Minneapolis: University of Minnesota Press.
Beer, Stafford. (1974). Designing freedom. Toronto: House of Anansi PRess.
Bel Geddes, Norman. (1932). Horizon. New York: Dover.
Benjamin, Walter. (1977). Understanding Brecht. London: Verso Editions.
Benjamin, Walter. (1996). Walter Benjamin, Selected Writings, Volume 1, 1913-1927. (Edited by Bullock & Jennings). Cambridge, MA: The Belknap Press of Harvard University.
Benjamin, Walter. (1998). The origins of German tragic drama. London: Verso.
Benjamin, Walter. (1999). Walter Benjamin, Selected Writings, Volume 2, Part One, 1927-1930. (Edited by Jennings, Eiland & Smith). Cambridge, MA: The Belknap Press of Harvard University.
Benjamin, Walter. (1999). Walter Benjamin, Selected Writings, Volume 2, Part Two, 1931-1934. (Edited by Jennings, Eiland & Smith). Cambridge, MA: The Belknap Press of Harvard University.
Benjamin, Walter. (1999). The Arcades Project. (Translated by Eiland & McLaughlin). Cambridge, MA: The Belknap Press of Harvard University.
Benjamin, Walter. (2002). Walter Benjamin, Selected Writings, Volume 3, 1935-1938. (Edited by Eiland & Jennings). Cambridge, MA: The Belknap Press of Harvard University.
Benjamin, Walter. (2003). Walter Benjamin, Selected Writings, Volume 4, 1938-1940. (Edited by Eiland & Jennings). Cambridge, MA: The Belknap Press of Harvard University.
Benjamin, Walter. (2006). Berlin childhood around 1900. Cambridge, MA: The Belknap Press of Harvard University Press.
Bennett, T., Grossberg, L., & Morris, M. (2005). New keywords: A revised vocabulary of culture and society. Malden, MA: Blackwell Publishing.
Berger, John. (1995). Ways of seeing. New York: Penguin Books.
Berger, Arthur Asa. (2000). Media communication research methods: An introduction to qualitative and quantitative approaches. London: Sage.
Berry, D., & Theobald. J. (eds.). (2006). Radical mass media criticism. Montreal: Black Rose Books.
Bertrand, I., & Hughes, P. (2005). Media research methods. New York: Palgrave
Best, S., & Kellner, D. (2001). The postmodern adventure: Science, technology, and cultural studies at the third millennium. London; New York: Guilford Press.
Bial, Henry. (2004). The performance studies reader. London; New York: Routledge.
Bignell, Jonathon. (2002). Media semiotics: An introduction. New York: Manchester University Press.
Bräuchler, B & Postill, J. (eds). (2010). Theorizing media and practice, Vol 4 Anthropology of Media. New York: Berghahn Books.
Boellstorff, Tom. (2008). Coming of age in Second Life: An anthropologist explores the virtually human. Princeton: Princeton University Press
Bolt, Barbara. (2004). Art beyond representation: The performative power of the image. London: I.B. Tauris.
Bolter, J. D., & Grusin, R. (1999). Remediation: Understanding new media. Cambridge, MA: MIT Press.
Boorstin, Daniel. (1992). The image: A guide to pseudo-events in America. New York: Vintage Books.
Borgmann, Albert. (1963). Crossing the postmodern divide. Chicago: University of Chicago Press.
Bordwell. David. (2005). The cinema of Eisenstein. New York: Routledge.
Bordwell. David & Thompson, K. (2008). Film art: An Introduction. 8th Edition. New York: McGraw Hill.
Bourdieu, Pierre. (1980). The logic of practice. Stanford: Stanford University Press.
Bourdieu, Pierre. (1998). On television. New York: The New Press.
Bourdieu, Pierre. (2004). Science of science and reflexivity. Chicago: University of Chicago Press.
Brady, Erika. (1999). A spiral way: How the phonograph changed ethnography. Jackson, MS: University Press of Mississippi.
Brecht, Bertolt. (1965). The Messingkauf Dialogues. Translated by John Willet. London: Methuen Drama.
Brecht, Bertolt. (1998). War Primer. Translated by John Willet. London: Libris
Brennen, B. & Hardt, H., (Eds.). (1999). Picturing the past: Media, history, and photography. Urbana, IL: University of Illinois Press.
Breton, André. (1965). Surrealism and painting. Boston: MFA Publications.
Brill, Dorothee. (2010). Shock and the senseless in Dada and Fluxus. Hanover: Dartmouth University Press.
Brinkley, Joel. (1997). Defining vision: How broadcasters lured the government into inciting a revolution in television. New York: Harcourt Brace.
Brook, J., & Boal, I. (Eds.). (1995). Resisting the virtual life: The culture and politics of information. San Francisco: City Lights.
Brotchie, A. (2011). Alfred Jarry: A pataphysical life. Cambridge, MA: The MIT Press.
Brown, Stephen Gilbert, & Dobrin, S. (2004). Ethnography unbound: From theory shock to critical praxis. Albany, NY: State University of New York Press.
Bruner, Jerome. (1996). The culture of education. Cambridge, MA: Harvard University Press.
Buck-Morss, Susan. (1977). The origin of negative dialectics: Theodor W. Adorno, Walter Benjamin and the Frankfurt Institute. New York: Free Press.
Buck-Morss, Susan. (1991). The dialectics of seeing: Walter Benjamin and the Arcades Project. Cambridge, MA: The MIT Press.
Burgess, J. & Green, J. (2009). YouTube: Online video and participatory culture. Malden, MA: Polity.
Burian, Jarka. (1971) The scenography of Josef Svoboda. Middleton, CT: Wesleyan University Press.
Bulgakowa, Oksana. (1998) Sergei Eisenstein: A biography. Berlin: Potemkin Press.
Burke, Kenneth. (1969). A rhetoric of motives. Berkeley: University of California Press.
Burnett, Ron. (1995). Cultures of vision: Images, media and the imaginary. Bloomington, IN: Indiana University Press.
Buse, P., Hirschkop, K., McCracken, S. & Taithe, B. (2005). Benjamin’s arcades: An unguided tour. Manchester: University of Manchester.
Butler, Jeremy G.. (2002). Television: Critical methods and application. Mahwah, NJ: Lawrence Earlbaum Plublishers.
Butler, Judith. (1997). Excitable speech: A politics of the performative. New York: Routledge.
Butler, Judith. (2005). Giving account of oneself. New York: Fordham University Press.
Byrne, David. (2006). Arboretum. San Francisco: McSweeney’s Books.
C
Calabrese, Andrew. (2005). The trade in TV news. In J. Wasko (Ed.), A companion to television (pp. 270-288). Malden, MA: Blackwell Publishing.
Carey, James W. (1985). "Putting the world at peril: A conversation with James W. Carey," in Journalism History 12(2), Summer.
Carey, James W. (1988). Media, myths, and narratives: Television and the press. Newbury Park, CA: Sage Publications
Carey, James W. (1992). Communication as culture: Essays on media and culture. New York: Routledge.
Carson, D., & Blackwell, L. (1996). David Carson: 2nd sight. New York: Universe Publishing
Carspecken, Phil F. (1996). Critical ethnography in educational research: A theoretical and practical guide. New York: Routledge.
Chomsky, Noam. (2002). Media control: The spectacular achievements of propaganda, (2nd Ed.) St. Paul, MN: Seven Stories Press.
Christie, I., & Elliot, D. (Eds.). (1988). Eisenstein at Ninety. Oxford: Museum of Modern Art, Oxford.
Christie, I., & Taylor, R. (Eds.). (1993). Eisenstein rediscovered. London: Routledge.
Clifford, J., & Marcus, G. (1986). Writing culture: The poetics and politics of ethnography. Berkely, CA: University of California Press.
Clifford, James. (1988). Predicament of culture: Twentieth-century ethnography, literature, and art. Cambridge, MA: Harvard University Press.
Collier, J. & Collier, M. Roderick. (1986), Visual anthropology: Photography as research method. Albuquerque: University of New Mexico Press.
Connor, Steven. (1997). Postmodern culture: An introduction to theories of the contemporary, (2nd Ed.) Cambridge, MA: Blackwell.
Conquergood, Dwight. (1991). Rethinking ethnography: Towards a critical cultural politics. Communication Monographs, 58 , 179-194.
Conquergood, Dwight. (2004). Performance studies: Interventions and radical research. In H. Bial (Ed.), The Performance studies reader (pp. 311-322). New York: Routledge.
Constantinopoulos, Vivian. (Ed.). (2000). 10 x 10: 10 Critics, 100 Architects. New York: Phaidon Press.
Coover, Roderick. (2003), Cultures in webs (DVD). Watertown, MA: Eastgate Systems.
Coover, Roderick. (2007). From Vérité to Virtual (DVD). Watertown, MA: Documentary Educational Resources.
Couldry, Nick. (2003). Media rituals: A critical approach, London: Routledge.
Coupland, Douglas. (2009). Marshall McLuhan. Toronto: Penguin.
Crary, Jonathon. (1990). Techniques of the observer: On vision and modernity in the nineteenth century. Cambridge, MA: MIT Press.
Crary, Jonathon. (1999). Suspensions of perception: Attention, spectacle, and modern culture. Cambridge, MA: MIT Press.
D
Debord, Guy. (1995). The society of the spectacle. New York: Zone Books.
Del Giando, Jason. (2008). Rhetoric for radicals: A handbook for 21st Century activists. Gabriola Island, BC, CN: New Society Publishers
Deleuze, Gilles. (1986). The movement-image. Minneapolis: University of Minnesota Press.
Demitz, Peter. (1962). Brecht: A collection of critical essays. Englewood Cliffs, NJ: Prentice/Hall.
Demetz, Peter. (1978). Walter Benjamin: Reflections (1st ed.). New York: Harcourt Brace Jovanovich.
Deming, C. (2005). Locating the televisual in golden age television. In J. Wasko (Ed.), A companion to television (pp. 126-140). Malden, MA: Blackwell Publishing.
Dentith, Simon. (1995). Bakhtinan thought. London: Routledge.
Dentith, Simon. (2000). Parody: The new critical idiom. London: Routledge.
Denzin, Norman. (1991). Images of postmoderns society: Social theory and contemporary cinema. Thousand Oaks, CA: Sage Publications.
Denzin, Norman. (1995). The cinematic society: The voyeur's gaze. Thousand Oaks, CA: Sage Publications.
Denzin, Norman. (1997). Interpretive ethnography: Ethnographic practices for the 21st Century. Thousand Oaks, CA: Sage Publications.
Denzin, Norman. (2003). Performance ethnography: Critical pedagogy and the politics of culture. Thousand Oaks, CA: Sage Publications.
Denzin, N. & Lincoln, Y. S. (Eds.). (2005). The SAGE handbook of qualitative research. New York: Sage.
Denzin, N. & Giardina, M. (Eds.). (2008). Qualitative inquiry and the politics of evidence. Walnut Creek, CA: Left Coast Press.
Der Derian, James. (2001). Virtuous war: Mapping the military-industrial-media-entertainment network. Boulder, CO: Westview Press.
Dewey, John. (1934). Art as experience. New York: Perigee.
Dewey, John. (1997). How we think. Mineola, NY: Dover.
Dewey, John. (1998). “The act of expression”. In D. H. Richter (Ed.), The critical reader: Classic texts and contemporary trends. New York: Bedford Book.
Dikovitskaya, Margaret. (2006). Visual culture: The study of the visual after the cultural turn. Cambridge, MA: MIT Press
Djerassi, Carl. (2011). Foreplay: Hannah Arendt, the two Adornos, and Walter Benjamin. Madison: University of Wisconsin Press.
Donahue, Hugh Carter. (1989). The battle to control broadcast news. Cambridge, MA: MIT Press.
Dondis, Donis A. (1973). A primer of visual literacy. Cambridge, MA: MIT Press.
Durhan, M. G. & Kellner, D. (Eds.). (2006). Media and cultural studies: Keyworks. Malden, MA: Blackwell Publishing.
E
Eagleton, Terry. (1981). Walter Benjamin or towards a revolutionary criticism. New York: Routledge.
Eisenstein, Sergei. (1942). The film sense. New York: Harcourt Brace Jovanovich.
Eisenstein, Sergei. (1949). Film form; Essays in film theory (J. Leyda, Trans.). New York: Harcourt Brace.
Eisenstein, Sergei. (2010a). Selected works, Volume I, Writings, 1922-34 (Richard Taylor, Ed.). New York: I.B. Tauris.
Eisenstein, Sergei. (2010b). Selected works, Volume II, Towards a theory of montage (Glenny & Taylor, Eds.). New York: I.B. Tauris.
Eisenstein, Sergei. (2010a). Selected works, Volume III, Writings, 1934-47 (Richard Taylor, Ed.). New York: I.B. Tauris.
Elkins, James. (2003). Visual studies: A skeptical introduction. Brooklyn: Verso Books.
Elkins, James. (Ed.). (2007). Visual literacy. New York: Routledge.
Elkins, James. (Ed.). (2008). Photography Theory. New York: Routledge.
Elkins, James. (Ed.). (2009). Artists with PhDs: On the new Doctoral degree in studio art. Washington, DC: New Academia Publishing.
Eisenberg, E.M., Goodal, H.L.(1993). Organizational communication: Balancing creativity and constraint. New York: St. Martin's Press.
Emerson, Caryl. (1997). The first one hundred years of Mikhail Bakhtin. Princeton: Princeton University Press.
Esslin, Martin. (2001). The theatre of the absurd. New York: Vintage Books.
Evans, David. (Ed.). (2009). Appropriation: Documents of Contemporary Art. Cambridge, MA: The MIT Press.
Evans, W. & Santaolalla, I. (Eds.). (2004). Luis Buñuel: New Readings. London: British Film Institute.
Ewen, Frederic. (1992). Bertolt Brecht: His life, his art, his times. New York: Citadel Press.
Ewen, Stuart. (1988). All consuming images: The politics of style in contemporary culture. New York: Basic Books.
Ewen, Stuart. (1996). PR! : A social history of spin (1st ed.). New York: Basic Books.
F
Feenberg, A., & Leiss, W. (Eds.). (2007). The essential Marcuse. Boston: Beacon Press.\
Feinstein, Hermine. (1998). Reading images : Meaning and metaphor. Antioch, CA: Metapress.
Fallows, James. (1996). Breaking the news: How the media undermine American democracy. New York: Vintage Books.
Feld, Steven. (Ed.). (2003). Ciné-Ethnography: Jean Rouch. Minneapolis: University of Minnesota.
Fenton, Thomas. (2005). Bad News: The decline of reporting, the business of news, and the danger to us all (1st ed.). New York, NY: Regan Books.
Ferris, David, S. (Ed.). (2004). The Cambridge companion to Walter Benjamin. Cambridge: Cambridge University Press.
Fischer, B., & Fox, T. (Eds.). (2005). A companion to the works of Gotthold Ephraim Lessing. Rochester, NY: Camden House.
Fiske, John. (1987). Television culture. London: New York: Methuen.
Fiske, John, & Hartley, J. (1978). Reading Television. New York: Routledge.
Fletcher, Alan. (2003). The art of looking sideways. London: Phaidon.
Fitzgerald, Brian. (2007). Open content licensing: Cultivating the Creative Commons. Sidney: Sidney University Press.
Florida, Richard. (2003). The Rise of the Creative Class: And How It's Transforming Work, Leisure, Community and Everyday Life. New York:Basic Books
Forgacs, David. (Ed.). (2000). The Antonio Gramsci reader: Selected writings 1916-1935. New York: New York University Press.
Foucault, Michel. (1972). The archeology of knowledge and discourse of language. New York: Pantheon Books.
Foucault, Michel. (Ed.). (1994). Ethics: Subjectivity and truth. New York: The New Press.
Foucault, Michel. (2002). The order of things. London: Routledge Classic.
Frampton, C., Kinsman, G., & Thompson, A. K. (Eds.). (2006). Sociology for changing the world. Halifax: Fernwood Publishing.
Freire, Paulo. (2007). Pedagogy of the oppressed. New York: Continuum.
Freire, Paulo. (1997). Pedagogy of freedom: Ethics, democracy, and civic courage. Lanham, MD: Rowman & Littlefield.
G
Gauntlett, D., & Horsley, R. (2000). Web.Studies: Rewiring media studies for the digital age. London: Arnold.
Giannetti, L., & Leach, J. (2002). Understanding movies. Toronto: Pearson Prentice Hall.
Giddens, Anthony. (1971). Capitalism & modern social theory: An analysis of the writings of Marx, Durkeim and Max Weber. Cambridge: Cambridge University Press.
Gilloch, Graeme. (2002). Walter Benjamin: Critical Constellations. Cambridge: Polity.
Ginsburg, Faye, et al. (Eds). (2002). Media worlds: Anthropology on new terrain. Berkeley: University of California Press.
Giltin, Todd. (Ed.). (1986). Watching television. New York: Pantheon Books.
Gitlin, Todd. (2002). Media unlimited: How the torrent of images and sounds overwhelms our lives (1st ed.). New York: Metropolitan Books.
Giltin, Todd. (2003). Letters to a young activist. New York: Basic Books.
Giroux, Henry. A. (2000). Impure acts: The practical politics of cultural studies. New York: Routledge.
Glasgow, University of. (2005). Glasgow University Media Group [Electronic Version]. Retrieved 9 September 2006.
Goldwater, R. & Treves, M. (Eds.). (1945). Artists on art: From the XIV to the XX century. New York: Pantheon Books.
Goleman, Daniel. (1995). Emotional intelligence. New York: Bantam Books.
Goodall, H. L. (2000). Writing the new ethnography. Lanham, MD: AltaMira Press.
Goodman, Steven. (2003). Teaching youth media: A critical guide to literacy, video production & social change. New York: Teachers College Press.
Gordon, W. Terrence. (2010). McLuhan: A guide for the perplexed. New York: Continuum.
Grimshaw, Anna. (2001). The ethnographer's eye: Ways of seeing in modern anthropology. Cambridge: Cambridge University Press.
Grimshaw, A. & Ravetz, A.. (Ed.). (2005). Visualizing anthropology. Bristol, UK: Intellect Books.
Grimshaw, A. & Ravetz, A.. (2009). Observational cinema: Anthropology, film, and the exploration of social life. Bloomington: Indiana University Press.
Gross, L., Katz, J., & Ruby, J. (1988). Image ethics: The moral of subjects in photographs, film, and television. New York: Oxford Press.
Gross, L., Katz, J., & Ruby, J. (Eds.). (2003). Image ethics in the digital age. Minneapolis: University of Minnesota Press.
Grossberg, Lawence. (2010). Cultural studies in the future tense. Durham, NC: Duke University Press.
Grossberg, L., Wartella, E., & Whitney, D. C. (1998). Media making: Mass media in a popular culture. Thousand Oaks, CA: Sage Publications.
Grosswiler, Paul. (1998). Method is the message: Rethinking McLuhan through critical theory. Montreal: Black Rose Books.
Gumbrecht, H. U., & Marrinan, M., (Eds.). (2003). Mapping Benjamin: The work of art in the digital age. Palo Alto, CA: Stanford University Press.
H
Habermas, Jurgen (2006). Time of transitions. Cambridge: Polity.
Hall, Stuart. (1973). “Encoding and encoding in the television discourse.” Paper presented at the Council of Europe Colloquy on "Training in the critical reading of televisual language", University of Leicester.
Hall, Stuart. (1997). Representation: Cultural representations and signifying practices. London: Sage.
Handa, Carolyn. (2004). Visual rhetoric in a digital world: A critical sourcebook. Boston: Bedford/St. Martins.
Hansen. Miriam B. (2010). Cinema and experience: Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno. Berkeley: University of California Press.
Harper, Douglas. (2003). The cultural study of work. Lanham, MD: Rowman & Littlefield Publishers.
Hardt. Hanno. (1992). Critical communication studies. London: Routledge.
Harraway, Donna J. (1991). Simians, cyborgs, and women: The reinvention of nature. New York: Routledge.
Harraway, Donna J. (2004). The Haraway reader. New York: Routledge.
Hartley, John. (1982). Understanding news. London: Methuen & Co.
Hartley, John. (1992). The politics of pictures. London: Routledge.
Hartley, John. (2002). Communication, cultural and media studies: The key concepts. London: Routledge.
Hartley, John. (Ed.) (2005). Creative industries. Malden, MA: Blackwell Publishing.
Hartley, John. (2008). Television truths. Malden, MA: Blackwell Publishing.
Heath, Joseph & Potter, A. (2004). The rebel sell: Why the culture can't be jammed. Toronto: Harper.
Heatherfield, Adrian. (Ed.). (2004). Live: Art and performance. New York:Routledge.
Hebdige, Dick. (1979). Subculture: The meaning of style. London: Routledge.
Hebdige, Dick. (1988). Hiding in the light. London: Routledge.
Hedges, Chris. (2009). The end of literacy and the triumph of spectacle, Toronto: Vintage Canada.
Heider, Karl. (2006) Ethnographic film. Austin: University of Texas Press.
Helfand, Jessica. (2001). Screen: Essays on graphic design, new media, and visual culture. New York: Chronicle Books.
Hesmondhalgh, David & Baker, S. (2011). Creative labour: Media work in three cultural industries. New York: Routledge.
Hine, Christine. (2000). Virtual ethnography. London; Sage
Hobbs, Renee. (2010). Copyright clarity: How fair use supports digital learning. Thousand Oaks, CA: Corwin.
Hockings, Paul. (Ed.). 2003. Principles of visual anthropology. Berlin: Mouton de Gruyter
Hocks, M. E., & Kendrick, M. R., (Eds.). (2003). Eloquent images: Word and image in the age of new media. Cambridge, MA: MIT Press.
Hoffman, Donald. (1998). Visual intelligence: How we create what we see. New York: Norton
Hoggart, Richard. (1957). The uses of literacy. London: Penguin Books
Howells, Richard. (2003). Visual culture. Malden, MA: Backwell Press.
Hughes, Robert. (1980). The shock of the new: The hundred-year history of modern art - its rise, its dazzling achievement, its fall. New York: Alfred A. Knoff.
Huizinga, Johan. (1950). Homo Ludens: A study of the play element in culture. Boston: Beacon Press.
I
Innis, Harold A.. (2008). The bias of communication. (2nd Ed.). Toronto: University of Toronto Press.
Iyengar, & Shanto, & Kinder. (1987). News that matters. Chicago: University of Chicago Press.
J
Jay, Martin. (1973). The dialectical imagination: A history of the Frankfurt School and the Institute of Social Research,1923-1950. Berkley: University of California Press.
Jay, Martin. (1993). Downcast eyes: The denigration of vision in twentieth-century French thought. Berkley: University of California Press.
Jenkins, Henry. (1992). Textual poachers: Television fans & participatory culture. New York: Routledge.
Jenkins, Henry. (2006). Convergence culture: Where old and new media collide. New York: New York University Press.
Jenks, Chris. (1995). Visual culture. London: Routledge.
Jhally, Sut. (1990). The codes of advertising. New York: Routledge.
Jodidio, Philip (Ed.). (2002). Architecture Now!. Koln:Taschen.
Jones, Alex S.. (2009). Losing the news: The future of the news that feeds Democracy. Oxford: Oxford University Press.
Jones, Amelia. (2003). The feminist and visual culture reader. New York: Routledge.
Jones, A., & Stephenson, A. (Eds.). (1999). Performing the body / Performing the text. New York: Routledge.
Jones, Robert Edmond. (1941). The Dramatic imagination. New York: Theatre Arts Books.
Joseph, Sister Miriam. (2002). The Trivium: The liberal arts of logic, grammar, and rhetoric. Philadelphia: Paul Dry Books.
K
Kearney, Richard. (1988). The wake of imagination. London: Routledge.
Kellner, Douglas. (1990). Television and the crisis of democracy. Boulder, CO:Westview Press.
Kellner, Douglas. (1994). Baudrillard: A critical reader. Cambridge, MA: Blackwell.
Kellner, Douglas. (2003). Media spectacle. New York: Routledge.
Kellner, Douglas. (2005a). Media spectacle and the crisis of democracy: Terrorism, war & election battles. Boulder, CO: Paradigm.
Kellner, Douglas. (2005b). Critical perspectives on television from the Frankfurt School to postmoderism. In J. Wasko (Ed.), A Companion to Television (pp. 29- 47). Malden, MA: Blackwell Publishing.
Kepes, Gyorgy. (1944). The radical in performance. New York; Dover.
Kershaw, Baz. (1999). The radical in performance between Brecht and Baudrillard. London; Routledge.
Kilbourne, Jean. (1999). Can't buy my love: How advertising changes the way we think and feel. New York: Touchstone.
King, E., & Levin, G. (Eds.). (2006). Ethics and the visual arts. New York: Allworth Press.
Klaehn, Jeffery. (Ed.). (2005). Filtering the news: Essays on Herman and Chomsky's propaganda model. Montreal: Black Rose Books.
Klein, Naomi. (2000). No logo. New York: Picador.
Knabb, Ken. (2006). Situationist International: Anthology. Berkeley, CA: Bureau of Public Secrets.
Kostelanetz, Richard. (Ed.). (1970). Moholy-Nagy. New York: Praeger Publishers.
Kovach, Bill, & Rosenstiel, T. (2001). The Elements of journalism: What newspeople should know and what the public should expect. New York: Three Rivers.
Kracauer, Sigfried. (1947). From Caligari to Hitler, A psychological history of the German film. Princeton, NJ: Princeton University Press.
Kracauer, Sigfried. (1995). The mass ornament. Cambridge, MA: Harvard University Press.
Kress, G. R., & Van Leeuwen, T. (1996). Reading images: The grammar of visual design. New York: Routledge.
Kress, G., & Van Leeuwen, T. (2001). Multimodal discourse: The modes and media of contemporary communication. New York: Oxford University Press.
L
Lakoff, G., & Johnson, M. (1980). Metaphors we live by. Chicago: University of Chicago Press.
Lanham, Richard. (2006). The economics of attention: Style and substance in the age of information. Chicago: University of Chicago Press.
Lasn, Kalle. (1999). Culture jam: The uncooling of America(TM). New York: Eagle Book.
Leary, Timothy. (2008). Cyberpunks cyberfreedom: Change reality screens. Oakland, CA: Ronin Publishing.
Leppert, Richard. (1996). Art & the committed eye: The cultural functions of imagery. Boulder, CO: Westview Press.
Lessig, Lawrence. (1999). Code: And other laws of cyberspace. New York: Basic Books.
Lessing, Gotthold E. (2005). Laocoon: An essay upon the limits of painting and poetry. Mineola, NY: Dover.
Lester, Paul M. (2006). Visual communication: Images with messages. Belmont, CA: Thomson Wasdworth.
Levine, E. (2007). Toward a paradigm for media production research: Behind the scenes of "General Hospital". In H. Newcomb (Ed.), Television: A Critical View (Seventh ed., pp. 133-149). New York: Oxford University Press.
Lévi-Strauss, Claude. (1955). Tristes Tropiques. New York: Penguin Classics.
Lewis, Suzanne. (1995). Reading images: Narrative discourse and reception in the Thirteenth-Century illuminated apocalypse. Cambridge: Cambridge University Press.
Leyda, Jay. (1983). Kino: A history of Russian and Soviet film. Princeton, Princeton University Press.
Liebes, T. & Curran, J. (Eds.). (1998). Media, Rituals and Identity. London: Routledge.
Lindlof, T.R., & Taylor, B.C. (2002). Qualitative communication research methods. Thousand Oaks, CA: Sage.
Linn, Susan. (2004). Consuming kids: The hostile takeover of childhood. New York: New Press.
Lippmann, Walter. (1922). Public opinion. New York: Harcourt Brace and Company.
Livingstone, Margaret. (2002). Vision and art: The biology of seeing. New York: Harry N. Abrams.
Loizos, Peter. (1993). Innovation in ethnographic film: From innocence to self-consciousness 1955-1985. Chicago: University of Chicago Press.
Lotz, Amanda D. (2007). Textual impossibilities in the U.S. post-network era. In H. Newcomb (Ed.), Television: A Critical View (Seventh ed., pp. 223-244). New York: Oxford University Press.
Luckhurst, Mary. (2006). Dramaturgy: A revolution in theatre. Cambridge: Cambridge University Press.
Lury, Karen. (2005). Interpreting television. New York: Oxford University Press.
Lunenfeld, Peter. (Ed.). (2000). The digital dialectic : New essays on new media. Cambridge: The MIT Press.
Lyon, James K. (1980). Bertolt Brecht in America. Princeton: Princeton University Press.
M
MacDougall, David. (1998). Transcultural cinema. Princeton: Princeton University Press.
MacDougall, David. (2006). The Corporeal image: Film, ethnography, and the senses. Princeton: Princeton University Press.
Madison, D. Soyini. (2005). Critical Ethnography. Thousand Oaks, CA: Sage
Malnar, Joy Monice, & Vodvarka, F. (1992). The interior dimension: A theoretical approach to enclosed space. Hoboken, NJ: John Wiley and Sons.
Mander, Gerry. (1978). Four arguments for the elimination of television. New York: Morrow.
Manovich, Lev. (2001). The language of new media. Cambridge, MA: MIT Press.
Marcus, G., & Fischer, M. (1986). Anthropology as cultural critique: An experimental moment in the human sciences. Chicago: University of Chicago Press.
Margolin, Victor. (1989). Design discourse: History, theory, criticism. Chicago: University of Chicago Press.
Margolin, Victor (1997). The struggle for utopia: Rodchenko, Lissitsky, Mololy-Nagy. Chicago: University of Chicago Press.
Marcuse, Herbert. (1964). One-dimensional man. Boston: Beacon Press.
Martin, C. & Bial, H. (Eds.). (2000). Brecht Sourcebook. London: Routledge.
Marx, Ursula., et al. (Eds.) (2007). Walter Benjamin's archive: Images, texts, signs. London: Verso.
Mau, Bruce. (2004). Massive change. New York: Phaidon Press.
Mauss, Marcel. (1972). A general theory of magic. London: Routledge.
Mauss, Marcel. (1990). The gift: The form and reason for exchange in archaic societies. New York: W.W. Norton.
Mazzocco, D. W. (1994). Networks of power: Corporate TV's threat to democracy. Boston: South End Press.
McChesney, Robert W. (2004). The Problem of the media: U.S. communication politics and the 21st century. New York: Monthly Review Press.
McChesney, R. & Scott, B. (Eds.). (2004). Our unfree press: 100 years of radical media criticism. New York: The New Press.
McGowan, T., & Kunkle, S. (Eds.). (2004). Lacan and contemporary film. New York: Other Press.
McKibben, Bill. (1993). The age of missing information. New York: Penguin Books.
McKibben, Bill. (2003). Enough: Staying human in an engineering age. New York: Henry Holt and Company.
McKibben, Bill. (2006). The end of nature. New York: Random House.
McLeod, Kembrew. (2007). Freedom of expression: Resistance and repression in the age of itellectual property. Minneapolis: University of Minnesota.
McLuhan, Marshall. (1951). The mechanical bride: Folklore of industrial man. Berkeley: Gingko Press.
McLuhan, Marshall. (1962). The Gutenberg galaxy. Toronto: University of Toronto Press.
McLuhan, Marshall. (1964). Understanding media: The extensions of man. Cambridge, MA: MIT Press.
McLuhan, Marshall & Fiore, Q. (1967). The medium is the massage: An inventory of effects. Berkeley: Gingko Press.
McLuhan, Stephanie & Staines, D. (Eds). (2003). Marshall McLuhan: Understanding Me. Toronto: McClelland & Stewart.
McQuiston, Joy. (1988). Women in design. New York: Rizzoli.
Meehan, Eileen R. (2005). Watching television: A political economic approach. In J. Wasko (Ed.), A Companion to television (pp. 238-255). Malden, MA: Blackwell Publishing.
Merleau-Ponty, Maurice. (1962). Phenomenology of perception (C. Smith, Trans.). London: Routledge.
Merleau-Ponty, Maurice. (2002). The world of perception (Oliver Davis, Trans.). London: Routledge.
Merrin, William. (2005). Baudrillard and the media. Malden, MA: Polity.
Messaris, Paul. (1994). Visual literacy: Image, mind, & reality. Bolder, CO: Westview Press.
Messaris, Paul. (1997). Visual persuasion. New York: Sage Publications.
Metallinos, Nicholas. (1996). Television aesthetics: Perceptual, cognitive, and compositional bases. Mahwah, NJ: Lawrence Erlbaum Associates.
Meyrowitz, Joshua. (1985). No sense of place. London: Oxford University Press.
Michelson, Annette. (1985). Kino-eye: The writings of Dziga Vertov. Berkeley: University of California Press.
Mielziner, Jo. (1965). Designing for the theatre. New York: Bramhall House.
Mijksenaar, Paul. (1997). Visual function: An introduction to information design. New York: Princeton Architectural Press.
Miller, Daniel. (Ed). (2005). Materiality. Durham, NC: Duke University Press.
Miller, Toby. (2010). Television studies: The basics. New York: Routledge.
Mills, Sarah. (2003). Michel Foucualt. New York: Routledge.
Mindich, D. T. Z. (2005). Tuned out: Why Americans under 40 don't follow the news. New York: Oxford University Press.
Minh-ha, Trinh T. (2005). The digital film event. New York: Taylor & Francis Group.
Minnaert, M. G. J. (1974). Light and color in the outdoors. New York: Springer-Verlag
Minnow, Newton. (1961). `Vast Wasteland' speech holds true after all these years. (Edited) National Association of Broadcasters: Reprinted in Chicago Tribune . (24 April 2001).
Mirzoeff, Nicholas. (2001). Approaches to understanding visual culture. New York: Routledge.
Mirzoeff, Nicholas. (2005). Watching Babylon: The war in Iraq and global visual culture. New York: Routledge.
Mitchell, W. J. T. (1986). Iconology: Image, text, ideology. Chicago: University of Chicago Press.
Mitchell, W. J. T. (1994). Picture theory: Essays on verbal and visual representation. Chicago: The University Of Chicago Press.
Mitchell, W. J. T. (1995). What is visual culture?. In Irving Lavin (Ed.). Meaning in the visual arts: Views from the outside . A centennial commemoration of Erwin Panofsky (1892-1968). (p.207-216). Princeton: Institute of Advance Study.
Mitchell, W. J. T. (2005). What do pictures want: The lives and loves of images. Chicago: University Of Chicago Press.
Mitchell, W. J. T. & Hansen, B.N. (Eds). (2010). Critical terms for media studies.. Chicago: University Of Chicago Press.
Moore, Rachel O. (2000). Savage theory: Cinema as modern magic. Durham: Duke University Press.
Morse, Margret. (1998). Virtualities: Television, media art, and cyberculture. Bloomington: Indiana University Press.
Mulder, Arjen. (2004). Understanding media theory: Language, image, sound, behavior. Rotterdam: V2_Publishing.
Mulvey, Laura. (1996). Fetishism and curiosity. Bloomington: Indiana University Press.
Mulvey, Laura. (2006). Death 24x a second. London: Reaktion Books.
Mumford, Lewis. (1952). Art and Technics. London: Oxford University Press.
Mumford, Meg. (2009). Bertolt Brecht. New York: Routledge.
Mundy, Jennifer. (Ed.). (2008). Duchamp, Man Ray, Picabia. London: Tate Publishing.
Mueller, Roswitha. (1989). Bertolt Brecht and the theory of media. Lincoln, NE: University of Nebraska Press.
Munson, E. S., & Warren, C. A. (Eds.). (1997). James Carey: A critical reader. Minneapolis: University of Minnesota Press.
N
Nathan, Debbie. (2007). Pornography: A groundwork guide. Toronto: House of Anansi Press.
Nelson, R. S., & Shiff, R. (Eds.). (1996). Critical terms for art history (Second ed.). Chicago: University of Chicago Press.
Newcomb, H. (Ed.). (1994). Television: The critical view (Fifth ed.). New York: Oxford University Press.
Newcomb, H. (Ed.). (2007). Television: The critical view (Seventh ed.). New York: Oxford University Press.
Newton, Julianne. (2005). Studying visual ethics by applying a typology of visual behavior. In K. Smith, S. Moriarity, G. Barbatis & K. Kenny (Eds.), Handbook of Visual Communication: Theory, Methods, and Media (pp. 459-477). Mahwah, NJ: Lawrence Erlbaum Associates.
Nichols, Bill. (1976). Movies and methods. Berkeley, CA: University of California Press.
Nichols, Bill. (1994). Blurred boundaries: Questions of meaning in contemporary culture. Bloomington: Indiana University Press.
Nichols, Bill. (2001). Introduction to documentary. Bloomington, IN: Indiana University Press.
Noë, Alva. (2006). Action in perception. Cambridge, MA: MIT Press.
Noelle-Neumann, Elizabeth. (1993). The spiral of silence: Public opinion -- Our social skin. Chicago: University of Chicago Press.
O
Oenslager, Donald. (1975). Stage design. New York: Viking Press.
Ong, Walter. J. (1982). Orality and literacy. London: Routledge.
Oppenheimer, Todd. (2003). The Flickering mind: The false promise of technology in the classroom and how learning can be saved. New York: Random House.
Ortega y Gasset, Jose. (1932). The revolt of the masses. New York: Norton
P
Pacanowsky, Michael. (1988). “Slouching toward Chicago”. Quarterly Journal of Speech, 74, 453-467.
Pagel, Mark. (2012). Wired for culture: Origins of the human social mind. New York: Norton
Parker, Rodney D., & Hildebrandt, H. W. (1996). “Business communication and architecture: Is there a parallel?”. Management Communication Quarterly 10(2),233.
Pawlett, William. (2007). Jean Baurdillard: Against banality. New York: Routledge.
Pendleton, Ralph, (Ed.) (1958). The theatre of Robert Edmond Jones. Middletown, CT: Wesleyan University Press.
Petersson, Dag, & Steinskog, E. (Eds.). (1997). Actualities of Aura: Twelve studies of Walter Benjamin. Svanesund, Sweden: NSU Press.
Pink, Sarah. (2001). Doing visual ethnography. London: Sage.
Pink, Sarah., et al. (Eds.). (2004). Working images: Visual research and representation in ethnography. London: Routledge.
Pink, Sarah. (2006). The Future of visual anthropology: Engaging the senses. New York: Routledge.
Plate, S. Brent. (2005). Walter Benjamin, religion, and aesthetics: Rethinking religion through the arts. New York: Routledge.
Plissner, Martin. (1999). The control room: How television calls the shots in presidential elections. New York: The Free Press.
Poster, Mark. (2001). Jean Baudrillard: Selected writings. Stanford: Stanford University Press.
Postman, Neil. (1985). Amusing ourselves to death: Public discourse in the age of show business. New York: Penguin Books.
Postman, Neil. (1992). Technopoly: The surrender of culture to technology (1st ed.). New York: Knopf.
Postrel, Virginia. (2003). The Substance of style: How the rise of aesthetic value is remaking commerce, culture, and consciousness. New York: HarperCollins.
Powdermaker, Hortense. (1950). Hollywood dream factory. New York: Little, Brown, and Company.
Poyner, Rick. (2001) Obey the giant: Life in the image world. London: August.
Procter, James. (2004). Stuart Hall. London; New York: Routledge.
Prosser, Jon. (Ed.). (1998). Image-based research: A sourcebook for qualitative researchers. London: Falmer Press.
Q
Quart, Alicia. (1993). Branded: The buying and selling of teenagers. New York: Basic Books.
R
Ramply, Mathew. (Ed.). (2005). Exploring visual culture: Definitions, concepts, contexts. Edinburgh: Edinburgh University Press.
Ramthum, Herta. (Ed). (1979). Bertolt Brecht: Diaries 1920-1922. Translated by John Willet. New York: Saint Martin’s Press.
Rancière, Jacques. (2004). The politics of aesthetics. London: Continuum.
Rancière, Jacques. (2007). The future of the image. London: Verso.
Rancière, Jacques. (2009). The emancipated spectator. London: Verso.
Rancière, Jacques. (2010). Dissensus: On politics and aesthetics. London: Continuum.
Read, Herbert. (1963). To hell with culture. London: Routledge.
Reed-Danahay, Deborah. (2005). Locating Bourdieu. Bloomington, IN: Indiana University Press.
Rimbaud, Arthur. (1946). Illuminations: And other prose poems. New York: New Directions.
Robertson, Robert. (2009). Eisenstein on the audiovisual: The montage of music, image and sound in cinema. London: I. B. Tauris Publishers.
Rodowick, D.N. (2001). Reading the figural, or, philosophy after the new media. Durham, NC: Duke University Press.
Rohdie, Sam. (2006). Montage. Manchester: Manchester University Press.
Rorty, Richard. (1999). Philosophy and social hope. London: Penguin.
Rose, Gillian. (2001). Visual methodologies. London: Sage.
Rothenbuhler, E. & Corman, M. (2005). Media Anthropology. Thousand Oaks, CA: Sage Publications.
Ruby, Jay. (1980). “Exposing yourself: Reflexivity, anthropology, and film.” Semiotica, 30 (1/2), 153-179.
Ruby, Jay. (2000). Picturing culture. Chicago: University of Chicago Press.
Rushkoff, Douglas. (1994). Media Virus!: Hidden agendas in popular culture (1st ed.). New York: Ballantine Books.
Rushkoff, D. (1995). Cyberia: Life in the Trenches of Hyperspace (1st HarperCollins paperback ed.). San Francisco, CA: Harper San Francisco.
Rushkoff, Douglas. (1999). Coercion: Why we listen to what "they" say. New York: Riverhead.
Russell, Catherine. (1999). Experimental ethnography: The work of film in the age of video. Durham, NC: Duke University Press.
S
Saint-Martin, Fernande. (1990). Semiotics of visual language. Bloomington: Indiana University Press.
Scannell, Paddy. (2005). Television and history. In J. Wasko (Ed.), A Companion to Television (pp. 51-66). Malden, MA: Blackwell Publishing.
Schegloff, Emanuel. (1997). “Whose text? Whose context?”. Discourse & Society 8 (2), 165-187.
Scholes, Robert. (1989). Protocols of reading. New Haven: Yale University Press.
Schramm, Wilbur. (Ed.). (1960). Mass communications (2nd ed.). Urbana, IL: University of Illinois Press.
Schechner, Richard. (2003). Performance theory. NewYork: Routledge
Schroeder, Jonathan E. (2002 ). Visual consumption. London: Routledge.
Schudson, Michael. (1995). The power of news. Cambridge, MA: Harvard University Press.
Schudson, Michael. (2003). The sociology of news. New York: WW Norton & Co.
Schwartz, Tony. (1983). Media: The second god. New York: Anchor Press - Doubleday.
Schweppenhauser, Gerhard. (2009). Theodor W. Adorno. Durham: Duke University Press.
Seale, Clive. (Ed.). (2005). Researching society and culture. London: Sage.
Shusterman, Richard. (2000). Performing live: Aesthetic alternatives for the ends of arts. Ithaca, NY: Cornell University Press.
Shweder, R. & Good, B. (2005). Clifford Geertz by his colleagues. Chicago: University of Chicago Press.
Siegel, Greg. (2007). Double vision: Large-screen video display and live sports spectacle. In H. Newcomb (Ed.), Televsion: A Critical View (Seventh ed., pp. 185-206). New York: Oxford University Press.
Simonson, Lee. (1932). The stage is set. New York: Theatre Arts Books.
Smith, Ken, et al. (2005a). Handbook of visual communication. Mahwah, NJ: Lawrence Earlbaum Associates.
Smith, Ken. (2005b). Perception and the newspaper page: A critical analysis. In K. Smith, S. Moriarity, G. Barbatis & K. Kenny (Eds.), Handbook of visual communication: Theory, methods, and media (pp. 81-95). Mahwah, NJ: Lawrence Erlbaum Associates.
Sontag, Susan. (1966). Against interpretation and other essays. New York: Picador.
Sontag, Susan. (1973). On photography. New York: Farrar, Stauss and Giroux.
Sontag, Susan. (2003). Regarding the pain of others. New York: Picador.
Stam, Robert. (1989). Subversive pleasures: Bakhtin, cultural criticism, and film. Baltimore MD: The John Hopkins University Press.
Stam, Robert. (1992). Reflexivity in film and literature: From Don Quixote to Jean-Luc Godard. New York: Columbia University Press.
Steltzer, Ulli. (1984). A Haida Potlatch. Seattle, University of Washington Press.
Stevens, Mitchell. (1998). The rise of the image - the fall of the word. New York: Oxford University Press.
Stevenson, Nick. (2002). Understanding media cultures. London: Sage Publications.
Stivale, Charles. (Ed.). (2005). Gilles Deleuze: Key Concepts. Montreal: McGill-Queen’s University Press.
Stoller, Paul. (1992). The cinematic griot: The ethnography of Jean Rouch. Chicago: University of Chicago Press.
Strunk, W. J., White, E. B., & Kalman, M. (2005). The elements of style. New York: Penguin Press.
Sturken, Marita, & Cartwright, L. (2001). Practices of looking: An introduction to visual culture. New York: Oxford University Press.
T
Tabachnick, D., & Koivukoski, T. (2004). Globalization, technology and philosophy. Albany, NY: State University of New York Press.
Taussig, Michael. (1993). Mimesis and alterity: A particular history of the senses. New York: Routledge.
Taylor, Lucien. (1994). Visualizing theory: Selected essays from V.A.R. 1990-1994. New York: Routledge.
Taylor, M., & Saarinen, E. (1994). Imagologies: Media philosophy. London: Routledge.
Taylor, P. A., & Harris, J. LI. (2008). Critical theories of mass media: Then and now. New York: Open University Press.
Taylor, Richard (Ed.). (1998). The Eisenstein reader. London: Palgave Mavmillan.
Theall, Donald. F. (1995). Beyond the word: Reconstructing sense on the Joyce era of technology, culture, and communications. Toronto: University of Toronto Press.
Theall, Donald. F. (2006). The virtual Marshal McLuhan. Montreal: McGill-Queen’s University Press.
Teitelbaum, Matthew. (1992). Montage and Modern Life: 1919-1942. Cambridge: MIT Press.
Thomas, Jim. (1993). Doing critical ethnography. (Qualitative Research Methods Series 26). Newbury Park: Sage Publications.
Thomas, M., & Penz, F. (Eds.). (2003). Architectures of illusion: From motion pictures to navigable interactive environments. Portland, OR: Intellect Books.
Tomkins, Calvin. (1996). Duchamp. New York: Henry Holt and Company.
Thomson, P.,& Sacks, G. (Eds.). (2006). The Cambridge companion to Brecht. Cambridge: Cambridge University Press.
Trend, David. (2007). The myth of media violence: A critical introduction. Malden, MA: Blackwell.
Tufte, Edward. (1990). Envisioning information. Cheshire, CT: Graphics Press.
Tufte, Edward. (1997). Visual explanations: Images and quantities, evidence and narrative. Cheshire, CT: Graphics Press.
Tufte, Edward. (2001). The visual display of quantitative information. Cheshire, CT: Graphics Press.
U
Ulmer, Gregory. (1999). Teletheory. New York: Atropos Press.
V
Valery, Paul. (1956). Paul Valery: An anthology. Princeton: Princetion University Press.
Van Alphen, E. V. (2005). Art in mind : How contemporary images shape thought. Chicago: University of Chicago Press.
Vardac, A. N. (1949). Stage to screen: Theatrical origins of early film:David Garrick to D. W. Griffith. New York: Da Capo Press.
Vaughn, Dai. (1999). For documentary. Berkeley: University of California Press.
Vertov, Dziga. (1984). Kino Eye: The writings of Dziga Vertov. (Ed.) Annette Michelson. London: University of California Press.
Villa, Dana. (Ed). (2000). The Cambridge Companion to Hannah Arendt. Cambridge: Cambridge University Press.
Virilio, Paul. (1994). The vision machine. Bloomington: Indiana University Press.
Virilio, Paul. (1997). Open sky. New York: Verso.
Virilio, Paul. (2000). The information bomb. New York: Verso.
Virilio, Paul. (2003). Unknown quantity. London: Thames & Hudson.
Virilio, Paul. (2005.) The original accident. Cambridge, UK: Polity.
Von Eckardt, Wolf & Gilman, G. (1975). Bertolt Brecht’s Berlin: A scrapbook of the Twenties. Garden City, NY: Anchor Press.
W
Wakeford, N. (2000). Developing methodological frameworks for studying the World Wide Web. In Web.Studies: Rewiring media studies for the digital age (pp. 34-48). London: Arnold.
Walton, Douglas. (2007). Media argumentation: Dialectic, persuasion, and rhetoric. NYC: Cambridge University Press.
Ward, Stephen A.J. (2010). Global journalism ethics. Montreal: McGill-Queens UNiversity Press.
Wasko, Janet. (Ed.). (2005). A companion to television. Malden, MA: Blackwell Publishing.
Weis, Elizabeth, & Belton, J. (Eds.). (1985). Film sound: Theory and practice. New York: Columbia Univerity Press.
Wilde, Holland. (1990). “Big risk design”. Paper presented at the Broadcast Designers Association, Las Vegas.
Wilde, Holland. (1993). “20/120: All time design”. Paper presented at the Broadcast Designers Association, Orlando, FL.
Wilde, Holland. (1996). “Provoking a plugged planet”. Paper presented at the Broadcast Designers Association, Los Angeles, CA.
Wilde, Holland. (2005). Weird nudes: Portfolio [book]. Boston: Self published.
Wilde, Holland. (2007). “Is Google smarter than sociology?: How a farm boy learned to stop worrying and enact the visual.” Paper presented at the International Visual Sociology Association, New York University, NYC.
Wilde, Holland. (2007a). “MSNBC - The news channel of Dr. Caligari.” In M. Mounayer, G. Cruz & C. Bove (Eds.), Flow, Filter, Function, Feeling, and Focus (pp. 167-185). Muncie, IN: Ball State University.
Willett, John. (1978). Art & politics in the Weimar period: The new sobriety 1917-1933. New York: Pantheon Books.
Willett, John. (1986). Caspar Neher: Brecht’s designer. London: Methuen.
Willett, John. (Ed.). (1992). Brecht on theatre: The development of an aesthetic. New York: Hill and Wang.
Williams, Raymond. (1958). Culture and society,1780-1950. New York: Columbia University Press.
Williams, Raymond. (1974). Television. London: Routledge.
Wizisla, Erdmut. (2009). Walter Benjamin and Bertolt Brecht: The story of a friendship. New Haven: Yale University Press.
Wolin, Richard. (1994). Walter Benjamin: An aesthetic of redemption. Berkeley, CA: University of California Press.
Woodruff, Paul. (2008). The necessity of theater: The art of watching and being watched. Oxford: Oxford University Press.
Worth, Sol. (1981). Studying visual communication. Philadelphia: University of Pennsylvania Press.
Z
Zelizer, Barbi. (2004). Taking journalism seriously: News and the academy. New York: Sage Publications.
Zelizer, Barbi. (2010). About to die: How news images move the public. Oxford: Oxford University Press.
Zettl, Herbert. (2005). Sight sound motion: Applied media aesthetics. Genesco, NY: Wadsworth.